What has the past 12 months meant?

It was a year ago when I left for Le Cordon Bleu on a much anticipated deviation from my life's course. In the past 12 months I completed the Basic Cuisine course, interned at a restaurant for 10 weeks, currently going to the same restaurant once per week as a part time intern, and have practiced intensely at home on most of my days off. This afternoon I made the appetizer to the right. It is gougère filled with chicken remoulade. It incorporated making choux pastry, mayonnaise, roasting some chicken, and balancing the use of fine herbs, acid, and seasoning. Maybe it's not so complicated, but a year ago I could not have made any component of this appetizer without a recipe, nor could I have come up with the concept of the final product. This was something I came up with this morning at the gym and whipped it together this afternoon without the aid of a recipe.  As I was making the dish, It dawned on me that the past 12 months have been really significant in terms of advancing my cooking skills. Since returning from Le Cordon Bleu, I have avoided using recipes and have attempted to combine ingredients using the tools I acquired in school (braising, poaching, roasting, etc..) I have liberated myself from the crutch of recipes. I now use them to gain ideas for techniques and food combinations, but the days of being tightly tethered to a recipe line-by-line may be behind me. I have also practiced and read a ton since my return from school. This is not to imply that everything I have made has been stellar. In fact I have had LOTS of disasters but each mistake led to a lesson learned. LCB gave me the tools and the confidence to try new things and helped shed the fear of failure. Finally, the internship has allowed me to see those basic techniques refined beyond anything I had imagined. The restaurant has also helped me with more creative plating ideas. Bottom line is that ALL of the above are responsible for where I am today. I have SO far to go. I may be only an inch along a mile long journey, but after putting this plate together, it feels so good.

"So You Want To Be a Chef" By Anthony Bourdain

I admire Bourdain’s honest appraisal of himself, culinary world, and the chef career. Here is an EXCELLENT excerpt from his latest book "Medium Raw" addressing the debate of attending culinary school vs. learning in a kitchen the old fashioned way of working through the ranks. This should be mandatory reading for anyone considering embarking on a career as a chef



I am frequently asked by aspiring chefs, dreamers young and old, attracted by the lure of slowly melting shallots and caramelizing pork belly, or delusions of Food Network stardom, if they should go to culinary school. I usually give a long, thoughtful, and qualified answer.
But the short answer is “no.”
Let me save you some money. I was in the restaurant business for twenty-eight years—much of that time as an employer. I am myself a graduate of the finest and most expensive culinary school in the country, the CIA, and am as well a frequent visitor and speaker at other culinary schools. Over the last nine years, I have met and heard from many culinary students on my travels, have watched them encounter triumphs and disappointments. I have seen the dream realized, and— more frequently—I have seen the dream die.
Don’t get me wrong. I’m not telling you that culinary school is a bad thing. It surely is not. I’m saying that you, reading this, right now, would probably be ill-advised to attend—and are, in all likelihood, unsuited for The Life in any case. Particularly if you’re any kind of normal.
But let’s say you’re determined. You’re planning on taking out a student loan and taking on a huge amount of debt. In many cases, from lenders associated with—or recommended by—your local culinary school. Ask yourself first: is this culinary school even any good? If you’re not going to the Culinary Institute of America, Johnson and Wales, or the French Culinary Institute, you should investigate this matter even more intently, because the fact is, when you graduate from the Gomer County Technical College of Culinary Arts, nobody hiring in the big leagues is going to give a shit. A degree from the best culinary schools is no guarantee of a good job. A degree from anywhere less than the best schools will probably be less helpful than the work experience you could have had, had you been out there in the industry all that time.
You’re about to take on $40,000 to $60,000 in debt training for an industry where—if you are lucky—you will, for the first few years, be making $10 to $12 dollars an hour. In fact, if you are really, really lucky—one of the few supremely blessed with talent, ability, and great connections deemed worthy enough to recommend you to one of the great kitchens of Europe or New York for your post-school apprenticeship—you will essentially be making nothing for the first couple of years. You will, once living expenses are factored in, probably be paying for the experience.
Should you be fortunate enough to be among the one-in-a-million young cooks taken on at a famous and respected restaurant like Arzak, in Spain (for example), this will truly be time and money well spent. If you perform well, you will return home never again needing a résumé. In this case, the investment of all your time and money and hard work will have paid off.
But the minute you graduate from school—unless you have a deep-pocketed Mommy and Daddy or substantial savings—you’re already up against the wall. Two nearly unpaid years wandering Europe or New York, learning from the masters, is rarely an option. You need to make money NOW. If that imperative prevails, requiring that you work immediately, for whomever will have you—once you embark on a career dictated by the need for immediate cash flow, it never gets any easier to get off the treadmill. The more money you get paid straight out of school, the less likely you are to ever run off and do a stage in the great kitchens of the world. Time cooking at Applebee’s may get you paid—but it’s a period best left blank on the résumé if you’re planning on ever moving to the bigs. It may just as well have never happened. Country clubs? Hotel kitchens? These are likely employers straight out of school—and they promise a pretty decent, relatively stable career if you do well. It’s a good living—with (unlike most of the restaurant business) reasonable hours and working conditions—and most hotels and country clubs offer the considerable advantage of health insurance and benefits. But that sector of the trade is like joining the mafia. Once you enter the warm fold of their institutional embrace, it’s unlikely you’ll ever leave. Once in—rarely out.
If it matters to you, watch groups of chefs at food and wine festivals—or wherever industry people congregate and drink together after work. Observe their behaviors—as if spying on animals in the wild. Notice the hotel and country club chefs approach the pack. Immediately, the eyes of the pack will glaze over a little bit at the point of introduction. The hotel or country club species will be marginalized, shunted to the outside of the alpha animals. With jobs and lives that are widely viewed as being cushier and more secure, they enjoy less prestige—and less respect.
You could, of course, opt for the “private chef” route upon graduating. But know that for people in the industry, the words “private” and “chef” just don’t go together. To real chefs, such a concept doesn’t even exist. A private “chef” is domestic help, period. A glorified butler. Somewhere slightly below “food stylist” and above “consultant” on the food chain. It’s where the goofs who wasted a lot of money on a culinary education only to find out they couldn’t hack it in the real world end up.
How old are you?  Nobody will tell you this, but I will: If you’re thirty-two years old and considering a career in professional kitchens? If you’re wondering if, perhaps, you are too old? Let me answer that question for you: Yes. You are too old.
If you’re planning on spending big bucks to go to culinary school at your age, you’d better be doing it for love—a love, by the way, that will be, almost without a doubt, unreciprocated.
By the time you get out of school—at thirty-four, even if you’re fucking Escoffier—you will have precious few useful years left to you in the grind of real-world working kitchens. That’s if you’re lucky enough to even get a job.
At thirty-four, you will immediately be “Grandpa” or “Grandma” to the other—inevitably much, much younger, faster-moving, more physically fit—cooks in residence. The chef—also probably much younger—will view you with suspicion, as experience has taught him that older cooks are often dangerously set in their ways, resistant to instruction from their juniors, generally slower, more likely to complain, get injured, call in sick, and come with inconvenient baggage like “normal” family lives and responsibilities outside of the kitchen. Kitchen crews work best and happiest when they are tight—when they operate like a long-touring rock band—and chances are, you will be viewed, upon showing up with your knife roll and your résumé—as simply not being a good fit, a dangerous leap of faith, hope, or charity by whoever was dumb enough to take a chance on you. That’s harsh. But it’s what they’ll be thinking.
Am I too fat to be a chef? Another question you should probably ask yourself.
This is something they don’t tell you at admissions to culinary school, either—and they should. They’re happy to take your money if you’re five foot seven inches and two hundred fifty pounds, but what they don’t mention is that you will be at a terrible, terrible disadvantage when applying for a job in a busy kitchen. As chefs know (literally) in their bones (and joints), half the job for the first few years—if not the entirety of your career—involves running up and down stairs (quickly), carrying bus pans loaded with food, and making hundreds of deep-knee bends a night into low-boy refrigerators. In conditions of excruciatingly high heat and humidity of a kind that can cause young and superbly fit cooks to falter. There are the purely practical considerations as well: kitchen work areas—particularly behind the line— being necessarily tight and confined . . . Bluntly put, can the other cooks move easily around your fat ass? I’m only saying it. But any chef considering hiring you is thinking it. And you will have to live it.
If you think you might be too fat to hack it in a hot kitchen? You probably are too fat. You can get fat in a kitchen—over time, during a long and glorious career. But arriving fat from the get-go? That’s a hard—and narrow—row to hoe.
If you’re comforting yourself with the dictum “Never trust a thin chef,” don’t. Because no stupider thing has ever been said. Look at the crews of any really high-end restaurants and you’ll see a group of mostly whippet-thin, under-rested young pups with dark circles under their eyes: they look like escapees from a Japanese prison camp—and are expected to perform like the Green Berets.
If you’re not physically fit? Unless you’re planning on becoming a pastry chef, it is going to be very tough for you. Bad back? Flat feet? Respiratory problems? Eczema? Old knee injury from high school? It sure isn’t going to get any better in the kitchen.
Male, female, gay, straight, legal, illegal, country of origin—who cares? You can either cook an omelet or you can’t. You can either cook five hundred omelets in three hours—like you said you could, and like the job requires—or you can’t. There’s no lying in the kitchen. The restaurant kitchen may indeed be the last, glorious meritocracy—where anybody with the skills and the heart is welcomed. But if you’re old, or out of shape—or were never really certain about your chosen path in the first place—then you will surely and quickly be removed. Like a large organism’s natural antibodies fighting off an invading strain of bacteria, the life will slowly push you out or kill you off. Thus it is. Thus it shall always be.
The ideal progression for a nascent culinary career would be to, first, take a jump straight into the deep end of the pool. Long before student loans and culinary school, take the trouble to find out who you are.
Are you the type of person who likes the searing heat, the mad pace, the never-ending stress and melodrama, the low pay, probable lack of benefits, inequity and futility, the cuts and burns and damage to body and brain—the lack of anything resembling normal hours or a normal personal life?
Or are you like everybody else? A normal person?
Find out sooner rather than later. Work—for free, if necessary—in a busy kitchen. Any kitchen that will have you will do—in this case, a busy Applebee’s or T.G.I. Friday’s or any old place will be fine. Anybody who agrees to let your completely inexperienced ass into their kitchen for a few months—and then helpfully kicks it repeatedly and without let-up—will suffice. After six months of dishwashing, prep, acting as the bottom-rung piss-boy for a busy kitchen crew—usually while treated as only slightly more interesting than a mouse turd—if you still like the restaurant business and think you could be happy among the ranks of the damned? Then, welcome.
At this point, having established ahead of time that you are one fucked-up individual—that you’d never be happy in the normal world anyway—culinary school becomes a very good idea. But choose the best one possible. If nothing else, you’ll come out of culinary school with a baseline (knowledge and familiarity with techniques). The most obvious advantage of a culinary education is that from now on, chefs won’t have to take time out of their busy day to explain to you what a fucking “brunoise” is. Presumably, you’ll know what they mean if they shout across the room at you that you should braise those lamb necks. You’ll be able to break down a chicken, open an oyster, filet a fish. Knowing those things when you walk in the door is not absolutely necessary—but it sure fucking helps.
When you do get out of culinary school, try to work for as long as you can possibly afford in the very best kitchens that will have you—as far from home as you can travel. This is the most important and potentially invaluable period of your career. And where I fucked up mine.
I got out of culinary school and the world seemed my oyster. Right away, I got, by the standards of the day, what seemed to be a pretty good paying job. More to the point, I was having fun. I was working with my friends, getting high, getting laid, and, in general, convincing myself that I was quite brilliant and talented enough.
I was neither.
Rather than put in the time or effort—then, when I had the chance, to go work in really good kitchens—I casually and unthinkingly doomed myself to second-and (mostly) third-and fourth-tier restaurant kitchens forever. Soon there was no going back. No possibility of making less money. I got older, and the Beast that needed to be fed got bigger and more demanding—never less.
Suddenly it was ten years later, and I had a résumé that was, on close inspection, unimpressive at best. At worst, it told a story of fucked-up priorities and underachievement. The list of things I never learned to do well is still shocking, in retrospect. The simple fact is that I would be—and have always been—inadequate to the task of working in the kitchens of most of my friends, and it is something I will have to live with. It is also one of my greatest regrets. There’s a gulf the size of an ocean between adequate and finesse. There is, as well, a big difference between good work habits (which I have) and the kind of discipline required of a cook at Robuchon. What limited me forever were the decisions I made immediately after leaving culinary school.
That was my moment as a chef, as a potential adult, and I let it pass. For better or worse, the decisions I made then about what I was going to do, whom I was going to do it with and where, set me on the course I stayed on for the next twenty years. If I hadn’t enjoyed a freakish and unexpected success with Kitchen Confidential, I’d still be standing behind the stove of a good but never great restaurant at the age of fifty-three. I would be years behind in my taxes, still uninsured, with a mouthful of looming dental problems, a mountain of debt, and an ever more rapidly declining value as a cook.
If you’re twenty-two, physically fit, hungry to learn and be better, I urge you to travel—as far and as widely as possible. Sleep on floors if you have to. Find out how other people live and eat and cook. Learn from them—wherever you go. Use every possible resource you have to work in the very best kitchens that will have you—however little (if anything) they pay—and relentlessly harangue every possible connection, every great chef whose kitchen offers a glimmer of hope of acceptance. Keep at it. A three-star chef friend in Europe reports receiving month after month of faxes from one aspiring apprentice cook—and responding with “no” each time. But finally he broke down, impressed by the kid’s unrelenting, never wavering determination. Money borrowed at this point in your life so that you can afford to travel and gain work experience in really good kitchens will arguably be better invested than any student loan. A culinary degree—while enormously helpful—is only helpful to a point. A year working at Mugaritz or L’Arpège or Arzak can transform your life—become a direct route to other great kitchens. All the great chefs know each other. Do right by one and they tend to hook you up with the others.
Which is to say: if you’re lucky enough to be able to do the above, do not fuck up.
Like I said, all the great chefs know each other.
Let me repeat, by the way, again, that I did none of the things above.
It’s a little sad sometimes when I look out at a bookstore audience and see young fans of Kitchen Confidential, for whom the book was a validation of their worst natures. I understand it, of course. And I’m happy they like me.
But I’m a little more comfortable when the readers are late-career hackers and journeymen, like I was when I wrote the book. I like that they relate to the highs and lows, the frustrations and absurdities, that they, too, can look back—with a mixture of nostalgia and very real regret—on sexual liaisons on cutting boards and flour sacks, late-night coke jags, the crazy camaraderie that seems to come only in the busiest hash-house restaurants—or failing ones. I wrote the book for them in the first place. And it’s too late for them anyway.
But the young culinary students, thousands and thousands of them—new generations of them every year, resplendent in their tattoos and piercings—I worry that some of them might have missed the point.
At no point in Kitchen Confidential, that I can find, does it say that cocaine or heroin were good ideas. In fact, given the book’s many episodes of pain, humiliation, and being constantly broke-ass, one would think it almost a cautionary tale. Yet, at readings and signings, I am frequently the inadvertent recipient of small packets of mysterious white powder; bindles of cocaine; fat, carefully rolled joints of local hydro, pressed into my palm or slipped into my pocket. These inevitably end up in the garbage—or handed over to a media escort. The white powders because I’m a recovered fucking addict—and the weed ’cause all I need is one joint, angel dust–laced by some psycho, to put me on TMZ, running buck-naked down some Milwaukee street with a helmet made from the stretched skin of a butchered terrier pulled down over my ears.  Smoking weed at the end of the day is nearly always a good idea—but I’d advise ambitious young cooks against sneaking a few drags mid-shift at Daniel. If you think smoking dope makes you more responsive to the urgent calls for food from your expeditor, then God bless you, you freak of nature you. If you’re anything like me, though, you’re probably only good for a bowl of Crunchberries and a Simpsons rerun.
On the other hand, if you’re stuck heating up breakfast burritos at Chili’s—or dunking deep-fried macaroni at TGI McFuckwad’s? Maybe you need that joint.
Treating despair with drugs and alcohol is a time-honored tradition—I’d just advise you to assess honestly if it’s really as bad and as intractable a situation as you think. Not to belabor the point, but if you look around you at the people you work with, many of them are—or will eventually be—alcoholics and drug abusers. All I’m saying is you might ask yourself now and again if there’s anything else you wanted to do in your life.
I haven’t done heroin in over twenty years, and it’s been a very long time as well since I found myself sweating and grinding my teeth to the sound of tweeting of birds outside my window.
There was and is nothing heroic about getting off coke and dope.
There’s those who do—and those who don’t.
I had other things I still wanted to do. And I saw that I wasn’t going to be doing shit when I was spending all my time and all my money on coke or dope—except more coke and dope.
I’m extremely skeptical of the “language of addiction.” I never saw heroin or cocaine as “my illness.” I saw them as some very bad choices that I walked knowingly into. I fucked myself—and, eventually, had to work hard to get myself un-fucked.
And I’m not going to tell you here how to live your life.
I’m just saying, I guess, that I got very lucky.
And luck is not a business model.

Cook for Fun, Fly for Money

My decision has been made. As nice as it is to fantasize about cooking professionally, the reality is that the flying job provides (and will continue to provide) me the income and flexible scheduling that has allowed me to pursue my passion for cooking. It has allowed me free time to practice at home, to study in Paris, and enough time to do a 10 week internship. It would be easy to throw caution into the wind and flow with the adventure of the unknown if I was fresh out of college, but age brings about such boring virtues as responsibility and accountability. Additionally, I am only a couple of years away from being eligible for retirement and it would be highly negligent to forgo all of those benefits.

So, no Intermediate Cuisine this November. Currently, it's difficult to justify the expenditure of going to France, if it's only as a hobby. Perhaps I will attend in the future. In the meantime, I will continue to hone my kitchen skills by cooking for friends and family. Sometimes, my own kitchen can be the greatest classroom. In the meantime, I can "experience" the professional kitchen world through the eyes of my friends like Sjoerd, or Will who have continued on to work in the real world.

On a more upbeat note, I am excited for my Basic Cuisine friend Alan who will begin Intermediates in one week and plans to follow that with the Intensive Superior in November. Congrats!

I am heading to Amsterdam in 2 days to visit my friend Sjoerd and his wife Jayne. It'll be nice to get a first hand account of his adventures in a real kitchen.

To Cook or Not to Cook, That is the Question!

Not to imply that my dilemma is as burdensome as the one faced by Hamlet, but at times it does seem to weigh me down. I am paralyzed with this seemingly simple decision whether or not to go to France this November to continue my culinary education. Although the above title may imply otherwise, I will always cook. What is at question is "in what fashion" will I cook? After my 10 week stage in a Michelin restaurant, it became clear to me that working in a restaurant kitchen may not be the path for me (although I won't close that door quite yet). As much as my mind was intrigued and challenged, my body just didn't like the physical punishment the job demands. Catering,  being a private chef, and instructing do not interest me either. But I still have a huge appetite to learn more about the art of French Cuisine. Where does that leave me? Am I simply destined to cook just for myself and for those around me? Maybe the center of the struggle is the disappointment that all of this may lead to no place new professionally. Which brings me back to the Paris decision. The investment to attend Intermediate Cuisine is only fully realized if one couples it with ultimately attending Superior Cuisine. Given my financial responsibilities, Is it wise to make such a financial investment in something that may only bring personal satisfaction? I suppose that only I can answer that question.

just thinking out aloud....advice? comments? wisdom?

Le Cordon Bleu Intermediate Cuisine in November

Well, after lots of tormented thought, envy, and the desire to complete the program, I signed up for Intermediate Cuisine for the Intensive session in November. I think talking to my friend Sjoerd who just began Superior and reading my old classmate Will's latest blog entry put me over the hump of making this decision. Unfortunately, all of my friends will be long gone from LCB by then, but there will be new people to meet and maybe some of the old classmates will remain with jobs in Paris. Additionally, I will try to talk a few of my Basic Cuisine classmates (who did not continue) to consider coming as well...if you're reading this Alan! The focus of Intermediates is regional cuisine and a continuation of building on the skills learned in Basic Cuisine. This was a big decision mostly because Intermediates on its own is not the goal. The goal would be to continue on with Superior Cuisine and earn the Diplome de Cuisine. Recently LCB Paris began offering Superior in an intensive format which makes all the difference for me with my full time job. The 5 weeks intensive format works much better for me than the normal 11 week duration.

I wish November 15 was tomorrow, but this time will allow me the chance to save some money, practice my French, and work on my kitchen skills.

My Classmates begin SUPERIOR CUISINE

For those of you who occasionally look at my site in hopes of fresh information from Le Cordon Bleu I have good news! My friend Sjoerd from Amsterdam will begin Superior Cuisine this coming monday March 22. He will join 10 of my former classmates on their combined journeys to attain the Diplome de Cuisine. The real good news is that Sjoerd, as some of you may recall, kept a blog of his time during Basic and Intermediate courses and will continue to do the same during Superior. His site is:


Sjoerd at Le Cordon Bleu Paris - superior cuisine 2010


I am probably as excited for Superior to begin as Sjoerd. I am anxious to follow along in my friends' daily adventures and challenges. Good luck everyone.

3 Months Later

It seems like a foggy mist of an idea that I was actually living in Paris 3 months ago. It's been interesting to see how the experience at Le Cordon Bleu has impacted my life. I have been cooking almost daily experimenting with my new found techniques and melding the French techniques with more modern methods and recipes. I tend to view food in a whole new way since my return.

I have made an attempt to keep ties with some of my classmates. The ones who remained are now almost finished with the Intermediate Cuisine and must be light years ahead of the rest of us with their kitchen skills. How I wish I could have stayed! The classmates who left LCB have scattered back around the globe to their respective lives. I have kept up with a few...Pablo is safe in Santiago after the Earthquake, I have met Julia and Steve a couple of time in NY and San Francisco, Alan is tearing up the slopes in Jackson Hole, Allis is back in her role as a corporate executive, Greg is leaving CA for New Zealand, and Manuel is playing lots of golf.

Potato wrapped orange ruffy with white lemon

sauce and Tabouli

Since my return I have gorged myself on books, blogs, and anything I can find related to cooking and being a Chef. One of my greatest discoveries has been a clarity of the big picture that I didn't quite see while I was a student. I see the method behind the madness of some of the tasks I considered silly or senseless while I was a student. Things were not always perfect at school, and I tended to "whine" a bit about them. I now realize that this is truly a reflection of the real world kitchen where cooks are continuously working around challenges to create the end product. The ability to adapt is KEY.

Mini wild mushroom quiche

Normal size quiche

I have discovered that I now view food from such a different perspective. I seek out higher quality products, I am more reverent toward animal products, and I "attack" my kitchen in a much different manner.

Rainbow trout stuffed with squash and carrot "spagetti"

I am wasting less food by always searching for ways to use the scraps for other recipes or other uses. It's been a nice transformation. I have begun to establish a rapport with my butcher and seafood source, canned chicken or beef broth are no longer acceptable, and I have had a general awakening of my senses with the selection of produce. I have abandoned large supermarkets and am making an effort to support anything locally grown and the local farmers.

Upon my return I was gung-ho to seek an internship with The French Laundry, a 3 star Michellin rated restaurant in nearby Napa Valley. Unfortunately, I was recently denied my request as the competition is fierce. So, where does that leave me? I am truly enjoying my "own" kitchen. I don't know if a professional path is the way to go for me at this age and with me career as an airline pilot, although the challenge would be fun. I may still seek an internship at a "lesser" more relaxed restaurant just to see how it's done in a professional kitchen. As for taking Intermediates? The next opportunity will be November 2010. I'll have to think about that one.